Syndetics omslagsbild
Bild från Syndetics

Global Musicology [electronic resource] : Music Histories from Elsewhere / edited by Amanda Hsieh, Vera Wolkowicz.

Medverkande: Materialtyp: TextUtgivningsuppgift: Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2025Utgåva: 1st ed. 2025Beskrivning: XVII, 332 p. 28 illus., 17 illus. in color. online resourceInnehållstyp:
  • text
Medietyp:
  • computer
Bärartyp:
  • online resource
ISBN:
  • 9783032014894
Ämnen: Fler format: Printed edition:: Ingen titel; Printed edition:: Ingen titel; Printed edition:: Ingen titelDDK-klassifikation:
  • 780.9 23
Library of Congress (LC) klassifikationskod:
  • ML159-3785
Onlineresurser:
Innehåll:
1. Introduction -- Part 1: Patchworking Theory -- 2. Beyond Self-Exoticism: How to Situate Latin America in a Global History of Music -- 3. Toward a Musicological Suturing: A Non-Central Perspective on Global Music History and Global Musicology -- 4. A Universe of Sounds: Lessons in Listening from the Field in “Bengal” -- Part 2: Disciplines and Institutions -- 5. Half a Century of Musicology in Tunisia: A Prosopographical Study -- 6. Writing and Rewriting Music Histories: Nationalist Ideology in Communist Romania -- 7. Singing the Rainbow Nation: Opera as Transformative Art in Post-Apartheid South Africa -- Part 3: Colonial Entanglements -- 8. Becoming to Being Filipino in the Press: Acts of Visuality and Aurality Toward Identity and Nation in the Music of Manila 1860–1940 -- 9. Music in Brazil or Brazilian Music? Reflections on the Musical Construction of Nationalism in Brazil during the First Republic (1889–1934) -- 10. Global Vaporwave, Globalized “Japan”.
I: Springer Nature eBookSammanfattning: This is an edited volume of music histories—of peoples, places, and institutions—that refuses to shy away from the geopolitical realities of a global musicology. With an ironic undertone to the “elsewhere” in the book’s title, the volume’s contributors grapple with the ethical and democratizing potentials of musicology’s recent “global turn.” The book’s primary objective is to center perspectives from outside the Euro-American mainstream to create a material difference to the frequent scarcity of non-Western scholarship in the Euro-American conception and practice of music studies. By bringing together a small group of scholars’ work in a more readily available space given by a sizable Anglo-American publisher, the book aims to enable more multidirectional exchanges and connections to take place in the future. Amanda Hsieh is Assistant Professor of Musicology at Durham University (UK). Vera Wolkowicz is Lecturer in Musicology at the University of Glasgow (UK).
Inga fysiska exemplar för denna post

1. Introduction -- Part 1: Patchworking Theory -- 2. Beyond Self-Exoticism: How to Situate Latin America in a Global History of Music -- 3. Toward a Musicological Suturing: A Non-Central Perspective on Global Music History and Global Musicology -- 4. A Universe of Sounds: Lessons in Listening from the Field in “Bengal” -- Part 2: Disciplines and Institutions -- 5. Half a Century of Musicology in Tunisia: A Prosopographical Study -- 6. Writing and Rewriting Music Histories: Nationalist Ideology in Communist Romania -- 7. Singing the Rainbow Nation: Opera as Transformative Art in Post-Apartheid South Africa -- Part 3: Colonial Entanglements -- 8. Becoming to Being Filipino in the Press: Acts of Visuality and Aurality Toward Identity and Nation in the Music of Manila 1860–1940 -- 9. Music in Brazil or Brazilian Music? Reflections on the Musical Construction of Nationalism in Brazil during the First Republic (1889–1934) -- 10. Global Vaporwave, Globalized “Japan”.

This is an edited volume of music histories—of peoples, places, and institutions—that refuses to shy away from the geopolitical realities of a global musicology. With an ironic undertone to the “elsewhere” in the book’s title, the volume’s contributors grapple with the ethical and democratizing potentials of musicology’s recent “global turn.” The book’s primary objective is to center perspectives from outside the Euro-American mainstream to create a material difference to the frequent scarcity of non-Western scholarship in the Euro-American conception and practice of music studies. By bringing together a small group of scholars’ work in a more readily available space given by a sizable Anglo-American publisher, the book aims to enable more multidirectional exchanges and connections to take place in the future. Amanda Hsieh is Assistant Professor of Musicology at Durham University (UK). Vera Wolkowicz is Lecturer in Musicology at the University of Glasgow (UK).

Accessibility summary: This PDF has been created in accordance with the PDF/UA-1 standard to enhance accessibility, including screen reader support, described non-text content (images, graphs), bookmarks for easy navigation, keyboard-friendly links and forms and searchable, selectable text. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com. Please note that a more accessible version of this eBook is available as ePub.

No reading system accessibility options actively disabled

Publisher contact for further accessibility information: accessibilitysupport@springernature.com

Springer EBA

Licensed e-book